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Historic Brass Bibliography: T-Z (Music Library)

Talbot, Michael.  Tomaso Albinoni: The Venetian Composer and his World.  Oxford: Clarendon Press, 1990.  [OCLC 20828363] Includes a discussion of Albinoni's trumpet sonatas and incidental notes on obbligato parts for trumpet amd horn in his vocal music.

Tari, Lujza.  "Die volksmusikalische Praxis der ungarischen Blaskapellen, dargestellt anhand historischer Quellen aus dem 19. Jahrhundert [The folk music practice of Hungarian wind ensembles, as depicted in sources of the 19th century]."  Studia Musicologica Academiae Scientiarum Hungaricae 32 (1990): 409-19.

Tarr, Edward H.  "A Collector's Life: An Interview with Ernst W. Buser on the Occasion of his 70th Birthday."  Historic Brass Society Newsletter 8 (Summer 1995): 16-21.

Tarr, Edward H.  "Neruda's Concerto for Horn (or Trumpet)." Brass Bulletin 70 (1990): 36-45.  Includes a facsimile of the horn part of the concerto.  (Tarr's edition of the concerto will be published by Éditions Bim.) See also the letter to the editor by Max Sommerhalder with a reply by Tarr and a comment by the editor in 71 (1990): 86-87.

Tarr, Edward H.  "The Romantic Trumpet."  Historic Brass Society Journal 5 (1993): 213-61; 6 (1994): 110-215.

Tarr, Edward H.  "Trompeterzeugnisse aus dem 18. Jahrhundert im Trompetenmuseum Bad Säckingen" [18th-century trumpet items in the Bad Säckingen trumpet museum].  Das Orchester 37, no. 11 (1989): 1084-87.

Tarr, Edward.  The Trumpet.  Translated from the German by S.E. Plank and Edward Tarr.  Portland, Oregon: Amadeus Press; London: Batsford, 1988.  [OCLC 18136776 or 18321408]  Translation of Die Trompete: ihre Geschichte von der Antike bis zur Gegenwart (Bern and Stuttgart: Hallwag, 1977).

Thelander, Kristin.  "Carl Oestreich: A Study of His Life, Historic Position and Solo Horn Music."  The Horn Call Annual 2 (1990): 49-76.

Thelander, Kristin.  "The Gugel Family of Hornists."  The Horn Call 25, no. 3 (May 1995): 29-37.

Thelander, Kristin.  "The Thelander/Post Duo: A New Compact Disc for Natural Horn and Fortepiano."  Continuo 18, no. 2 (April 1994): 2-4.

Thiessen, John C.  The Late 18th-Century Trumpet in England: A Reconstruction of Repertory.  M.Mus. thesis, King's College London, 1990.

Thompson, Brian Ernest.  "A History of the Early Sources of Mozart Horn Concertos K. 412/514, K. 417, K. 447, and K. 495."  The Horn Call Annual 1 (1989): 2-19.  See also the letter by Hans Pizka in 2 (1990): 114-15.

Thompson, J. Mark, and Jeffrey Jon Lemke.  French Music for Low Brass Instruments: An Annotated Bibliography.  Bloomington & Indianapolis: Indiana University Press, 1994.  ISBN 0253359937.  OCLC 29638297.  Includes a few nineteenth-century pieces as well as arrangements of earlier ones.

Tiella, Marco, and Romano Vettori, ed.  Strumenti per Mozart [Instruments for Mozart].  Rovereto: Longo, 1991.  ISBN 8885856225.  OCLC 26955707.

Todorov, Wassil.  "History of Brasses [sic] in Bulgaria."  Brass Bulletin 88 (1994): 72-76.

Tomes, Frank.  "Flat Trumpet Experiments."  The Galpin Society Journal 43 (1990): 164-65.

Tomes, Frank.  "From Flatt Trumpet to Holy Grail. . . .  Frank Tomes Tells All."  Early Music News no. 190 (November 1994): 6-7.

Tracy, Bruce Alan.  The Contrabass Trombone: Its Development and Use.  A.Mus.D. thesis, University of Illinois at Urbana-Champaign, 1990.  [OCLC 24031518]

Tremmel, Erich.  Blasinstrumentbau im 19. Jahrhundert in Südbayern [Wind instrument making in South Bavaria in the nineteenth century].  Collectanea musicologica, 3.  Ausburg: Dr. Bernd Wissner, 1993.  ISBN 3928898132.  OCLC 30008746.  Originally his doctoral dissertation, University of Augsburg, 1991.

Tremmel, Erich.  "Trompeterensembles in Bayern im frühen 19. Jahrhundert: Musizierpraxis, Formen und Besetzungen" [Trumpet ensembles in Bavaria in the early 19th century: practical music making, forms, and players], in Quaestiones in musica: Festschrift für Franz Krautwurst zum 65. Geburtstag, ed. Friedhelm Brusniak and Horst Leuchtmann.  Tutzing: Hans Schneider, 1989, pp. 663-75.  [OCLC 21961902]

Tritle, Thomas.  "Horns in the Shrine to Music Museum."  The Horn Call 19, no. 1 (October 1988): 30-35.

Tröster, Patrick.  "Ikonographisches Belege zum Alta-Ensemble um 1500 [Iconographic evidence of the alta ensemble around 1500]." In Walter Salmen, ed.  Musik und Tanz zur Zeit Kaiser Maximilian I.: Bericht über die am 21. und 22. Oktober 1989 in Innsbruck abgehaltene Fachtagung.  Innsbruck: Helbling, 1992, 107-21. ISBN 3900590141.  OCLC 26624900.

Trojan, Jan.  "Christmas Brass Playing in Bohemia and Moravia." Brass Bulletin 72 (1990): 7-11.

Trout, Marion Thomas.  The Offstage Effect: An Historical and Stylistic Perspective with Performance Considerations for Trumpet.  D.M.A. thesis, University of North Texas, 1991.  OCLC 27088713.

Tyson, Alan.  "Mozart's D-major Horn Concerto: Questions of Date and of Authenticty," in Studies in Musical Sources and Style: Essays in Honor of Jan LaRue, ed. Eugene K. Wolf and Edward H. Roesner.  Madison, Wisconsin: A-R Editions, 1990, pp. 425-40. [OCLC 22489044]

Tyson, Alan.  See Symposion, "Mozarts Hornkonzerte."

Uetz, Bruno.  "Daniel Speer: Ein Trompeter im 17. Jahrhundert [Daniel Speer: a trumpeter in the 17th century]."  Das Orchester 41, no. 1 (1993): 2-7.

Urban, Timothy P.  "Giovanni Battista Riccio's Terzo libro delle divino lode musicali (Venice, 1620): A List of Errata."  Historic Brass Society Journal 6 (1994): 343-47.

Vaillancourt, Michael Grant.  Instrumental Ensemble Music at the Court of Leopold I (1658-1705).  Ph.D. dissertation, University of Illinois at Urbana-Champaign, 1991.  OCLC 25623887 or 28542940 or 30450483.

van Boer, Bertil.  "The Four-Horn Question: Observations on an Eighteenth-Century Horn Performance Practice."  The Horn Call Annual 4 (1992): 33-43.

Veldhoven, Jos van, and Jolande van der Klis.  "Aan het woord: Crispian Steele-Perkins [Speaking: Crispian Steele-Perkins]." Tijdschrift voor oude muziek 4, no. 1 (February 1989): 21-22.  Interview.

Vigl, Karl H.  "Spuren klassisch-romantischer Formtradition in der Südtiroler Blasmusik [Traces of the Classical/Romantic musical tradition in the wind music of the southern Tyrol]."  In Kongressbericht Abony/Ungarn 1994, ed. Wolfgang Suppan.  Alta Musica, 18.  Tutzing: Hans Schneider, 1996, 423-34.

Voelker, Dale.  "The Trombone Music of Daniel Speer."  ITA Journal 17, no. 4 (Fall 1988): 38-43.

Votta, Michael.  "Nineteenth-Century Transcriptions and Editions: Wagner Revisited."  Journal of Band Research 28, no. 1 (Fall 1992): 31-56.

Votta, Michael.  "Richard Wagner's Trauermusik, WWV 73 [Trauersinfonie]."  In Cipolla and Hunsberger, ed.  The Wind Ensemble and its Repertoire, 168-86.

Walker, Diane Parr, and Paul Walker.  German Sacred Polyphonic Vocal Music Between Schütz and Bach: Sources and Critical Editions.  Detroit Studies in Music Bibliography, 67.  Warren, Mich.: Harmonie Press, 1992.  OCLC 26396047.  Includes many compositions with parts for brass instruments, conveniently locatable through the "Performing Forces Index" (pp. 399-422).

Walser, Robert.  "Musical Imagery and Performance Practice in J.S. Bach's Arias with Trumpet."  ITG Journal 13, no. 1 (September 1988): 62-77.

Waterhouse, William.  The New Langwill Index: A Dictionary of Musical Wind-Instrument Makers and Inventors.  London: Tony Bingham, 1993.  ISBN 0946113041.  OCLC 30035389.

Wates, John.  "Mozart and the Horn."  The Horn Call 22, no. 1 (October 1991): 43-45.  Reprinted from the British Horn Society Newsletter, January 1991.

Weaver, James C.  "The Trumpet Museum."  Antiques & Collecting Hobbies 94, no. 1 (January 1990): 30-33, 60.  A popular article about The Trumpet Museum near Pottstown, Pennsylvania.

Webb, John.  "The Billingsgate Trumpet."  The Galpin Society Journal 41 (October 1988): 59-62.  Describes a 14th-century trumpet now in the London Museum.  See also the article on the same trumpet by Lawson and Egan.  Prompted a letter from Rinaldo Pellizzari (42 [August 1989]: 179) concerning a straight trumpet by S. Hainlein dated 1461, doubts about the authenticity of which are expressed in a letter by Maurice Byrne.

Webb, John.  "The English Slide Trumpet."  Historic Brass Society Journal 5 (1993): 262-79.

Webb, John.  "The Flat Trumpet in Perspective."  The Galpin Society Journal 46 (March 1993): 154-60.

Webb, John.  "Post Horns with Finger-Holes."  The Galpin Society Journal 44 (March 1991): 157-58.  A follow-up to David Rycroft, "Post Horns with Finger-holes: Some Queries" in 43 (1990): 159-61, and Albert Hiller, "Finger-holes in Post Horns: An Explanation" in ibid., 161-64.

Webb, John.  Trombamania.  Bulle, Switzerland: Éditions Bim, 1989.  Early and modern brass humor.

Weiner, Howard.  "André Braun's Gamme et méthode pour les trombonnes: The Earliest Modern Trombone Method Rediscovered."  Historic Brass Society Journal 5 (1993): 288-308.

Weiner, Howard.  "Andreas Nemetz's Neueste Posaun- schule: An Early Viennese Trombone Method."  Historic Brass Society Journal 7 (1995): 12-35.

Weiner, Howard.  "Giovanni Martino Cesare and his Editors." Historic Brass Society Journal 3 (1991): 56-64.  Lists errata for the modern editions of Cesare's Musicali melodie per voci et instrumenti (Munich, 1621).

Welker, Lorenz.  "Bläserensembles der Renaissance [Wind ensembles of the Renaissance]."  Basler Jahrbuch für historische Musikpraxis 14 (1990): 249-70.

West, Ann M.  "The Cornet Obligato [sic] in Hector Berlioz's `Un Bal' of Symphonie Fantastique."  ITG Journal 17, no. 3 (February 1993): 12-15.

Weymann, Anke-Sabine.  "Zur Entwicklung des Zivilen Blasmusikwesens in einer Norddeutschen Stadt [On the development of civic wind instrument practice in a north German town]."  In Suppan, ed.  Kongressbericht Feldkirch/Vorarlberg 1992, 235-44.  Concerns Osnabrück from 1850 to 1990.

Wheat, James Raymond.  The Tuba/Trompetta Repertoire of the Fifteenth Century.  D.M.A. thesis, University of Wisconsin-Madison, 1994.  OCLC 31705257.

Whipple, James F.  "Mozart Excerpt."  The Horn Call 22, no. 1 (October 1991): 68-69.  A query about the transpositions in the horn parts of Mozart's Serenade No. 12, KV 388.

Whitwell, David.  "Improvisation in Harmoniemusik Literature."  In Kongressbericht Abony/Ungarn 1994, ed. Wolfgang Suppan.  Alta Musica, 18.  Tutzing: Hans Schneider, 1996, 435-39.

Whitwell, David.  La Téléphonie and The Universal Musical Language.  Northridge CA: WINDS, 1995.  "The story of François Sudre (1787-1862) and his La Téléphonie, intended to replace the ancient military trumpet signals with a system whereby officers could engage in normal conversation, through the use of four trumpet pitches."

Widholm, Gregor.  See Symposion, "Mozarts Hornkonzerte."

Willener, Alfred.  Pour une sociologie de l'interprétation musicale: le cas du "Concerto pour trompette" de Haydn [Towards a sociology of musical interpretation: the case of the Haydn trumpet concerto].  Lausanne: Editions Payot, 1990.  [OCLC 25397908 or 25407015]

Wind, Rainer.  "Nur `Aufwärm-Töne' oder mehr? Joseph Haydn's Trumpetenkonzert und die neuerfundene Klappentrompete [Only `warming-up tones' or more? Joseph Haydn's trumpet concerto and the newly invented keyed trumpet]."  Instrumentenbau Zeitschrift 44 (September 1991): 25-26.

Winick, Steven.  "Trumpet Music by Carl Maria von Weber: A Tusch, a Canon, and a March."  ITG Journal 12, no. 4 (May 1988): 4-29.

Winkler, Klaus.  "Entstehung und Ausbreitung der Bläsermusik bei der Herrenhuter Brüdergemeinde im 18. Jahrhundert [The origin and dissemination of the wind music among the Moravian Brethren in the 18th century]," in Musikgeographie: weltliche und geistliche Bläsermusik in ihren Beziehungen zueinander und zu ihrer Umwelt: Tagungsband des Symposiums 1990 [Music geography: secular and sacred wind music in their relationships to one another and to their milieu: proceedings of the 1990 symposium], ed. Manfred Büttner, Wolfgang Schnabel, and Klaus Winkler.  Abhandlungen zur Geschichte der Geowissenschaften und Religion / Umwelt-Forschung, 6.  Bochum: Universitätsverlag Dr. N. Brockmeyer, 1991- [OCLC 24411265]

Winkler, Klaus.  "Die Posaune und ihr Repertoire -- Wechselbeziehungen zwischen Musik und Umwelt vom 15. bis zum 18. Jahrhundert [The trombone and its repertory: interrelations between music and milieu from the 15th to the 18th century]," in Musikgeographie: weltliche und geistliche Bläsermusik in ihren Beziehungen zueinander und zu ihrer Umwelt: Tagungsband des Symposiums 1990 [Music geography: secular and sacred wind music in their relationships to one another and to their milieu: proceedings of the 1990 symposium], ed. Manfred Büttner, Wolfgang Schnabel, and Klaus Winkler.  Abhandlungen zur Geschichte der Geowissenschaften und Religion / Umwelt-Forschung, 6.  Bochum: Universitätsverlag Dr. N. Brockmeyer, 1991- [OCLC 24411265]

Winkler, Klaus.  See Schlemm, Horst Dietrich.

Wolf, Eugene.  "On the Composition of the Mannheim Orchestra, ca. 1740-1778."  Basler Jahrbuch für historische Musikpraxis 17 (1993): 113-38.

Wolfingbarger, Steve M.  The Nineteenth-Century German Tradition of Solo Trombone Playing: A Lecture Recital, Together with Three Recitals of Selected Works of E. Bozza, W. Hartley, A. Frackenpohl, A. Pryor, G. Frescobaldi, L. Grondahl, P. Bonneau and Others. D.M.A. thesis, North Texas State University, 1989.

Woodford, Paul G.  "The Wind Band Tradition of Newfoundland and Labrador, Canada."  Journal of Band Research 28, no. 2 (Spring 1993): 11-26.

Wood, Julia K.  "`A Flowing Harmony': Music on the Thames in Restoration London."  Early Music 23, no. 4 (November 1995): 553-81.

Woolpert, Dan.  "A Systematic Approach to Determining Instrument Values."  Historic Brass Society Newsletter 6 (Summer 1994): 23-27.

Young, Frederick J.  "The Optimal Design and Fair Comparison of Valve Systems for Horns."  The Horn Call Annual 5 (1993): 7-15.

Záloha, Jiþi.  "Das Repertoire der Schwarzenbergischen Bläserharmonie zur Ende des 18. Jahrhunderts [The repertory of the Schwarzenberg wind harmonie at the end of the eighteenth century]."  Studien zur Musikwissenschaft 44 (1995): 175-90.

Zarzo, Vincente.  "Brahms Horn Trio, Op. 40: A Brief Account." Historic Brass Society Newsletter 4 (Summer 1992): 27.

Zargo, Vicente.  "Historic Horns from the Collection of Vicente Zargo."  The Horn Call 25, no. 2 (February 1995): 29-39.

Zarzo, Vicente.  "A View of an Important Horn Collection and a Look at Some 19th-Century Instrument Makers."  Historic Brass Society Newsletter 6 (Summer 1994): 4-8.  Concerns his own collection, which formerly belonged to Professor Edmond Leloir, horn teacher at the Geneva Conservatoire.

Zaslaw, Neal.  "The Origins of the Classical Orchestra."  Basler Jahrbuch für historische Musikpraxis 17 (1993): 9-40.

Zechmeister, Gerhard.  "The Development of the Vienna Concert Tuba."  Brass Bulletin 75 (1991): 44-47.

Zevin, Shlomo Yosef, Rabbi.  "Hazozerah [Trumpet]."  Historic Brass Society Journal 4 (1992): 57-70.  A translation of the article on the trumpet in the Talmudic Encyclopedia, vol. 16 (Jerusalem: Talmudic Encyclopedia Institute, 1980).

Zwittkovits, Heinrich.  Die Pflege der zivilen Blasmusik im Burgenland im Spiegel der allgemeinen historischen Entwicklung [The cultivation of civil wind music in eastern Austria as reflected in general historical development], 2 vols.  Phil. Diss., Vienna, 1992.

Zwittkovits, Heinrich.  Die Pflege der zivilen Blasmusik im Burgenland im Spiegel der allgemeinen historischen Entwicklung (unter besonderer Berücksichtigung der Zwischenkriegszeit) [The cultivation of civil wind music in Burgenland in the mirror of history (with special consideration of the period between the Wars)].  Alta Musica, 15.  Burgenländische Forschungen, Sonderband XII.  Tutzing: Hans Schneider, 1993.  ISBN 3795207398. OCLC 28299362.



last updated: 9/1/2007