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Historic Brass Bibliography: R-S (Music Library)

Raum, J. Richard.  "Albrechtsberger: Alto or Tenor Trombone?"  Brass Bulletin 89 (1995): 103.

Raum, J. Richard.  "The Alto Trombone in the 18th Century Sacred Chamber Music from the Abbeys of Göttweig and Melk, Austria." Brass Bulletin 72 (1990): 36-41; 73 (1991): 38-43; 74 (1991): 58-65.

Raum, J. Richard.  "The Eighteenth-Century Trombone: Rumors of its Death were Premature."  Brass Bulletin 77 (1992): 87-101; 78 (1992): 93-97.

Raum, J. Richard.  "Extending the Solo and Chamber Repertoire for the Alto Trombone from the Late Baroque and Early Classical Periods (1720-1780)."  ITA Journal 16, no. 2 (Spring 1988): 11-23.

Raum, J. Richard.  "From the Diary of a Court Trombonist, 1727." Brass Bulletin 82 (1993): 56-69.  "This article consists of historical facts. . . .  I have used the literary device of a diary which will highlight for you real events from the day to day activities of Leopold Christian, Jr., a church musician at the Imperial Court of Charles VI in Vienna."

Raum, J. Richard.  "An Historical Perspective of an 18th Century Trombonist: Thomas Gschladt."  Brass Bulletin 87 (1994): 10-29; 88 (1994): 19-35; 89 (1995): 31- 49.  Fiction "supported by historical evidence."

Rehrig, William H.  The Heritage Encyclopedia of Band Music: Composers and their Music, 2 vols.  Ed. Paul E. Bierley. Westerville, Ohio: Integrity Press, 1991.  [OCLC 24606813]

Reimer, Mark U.  "Report on the Status of Research in the United States on American Community Bands."  In Kongressbericht Abony/Ungarn 1994, ed. Wolfgang Suppan.  Alta Musica, 18.  Tutzing: Hans Schneider, 1996, 375-404.

Reimer, Mark U.  "The Stadtorchester Friedrichshafen: A Model for American Community Bands."  Journal of Band Research 29, no. 1 (Fall 1993): 51-72.

Rice, Albert R.  "The Musical Instrument Collection of Michiel van Bolhuis (1764)."  Journal of the American Musical Instrument Society 18 (1992): 5-21.

Rice, John A.  "The Musical Bee: References to Mozart and Cherubini and Hummel's `New Year' Concerto."  Music & Letters 77, no. 3 (August 1996): 401-24.

Rieder, Bob.  "No Hot Air Here."  Historic Brass Society Newsletter 9 (Summer 1996): 20-25.  An interview with Barry Bauguess, Igino Conforzi, Fred Holmgren, Friedemann Immer, Paul Plunkett, and Edward H. Tarr.

Robinson, Richard.  "An Interview with Ophicleide, Serpent, and Tuba Player Tony George."  Historic Brass Society Newsletter 7 (Summer 1995): 51-53.

Rocchetti, Gabriele.  "Benedetto Bergonzi e il corno da caccia a chiavi [Benedetto Bergonzi and the keyed corno da caccia]."  I fiati 2, no. 9 (December 1995/January 1996): 44-51.  Reprinted from Recercare 2 (1990): 151-69.

Rogan, William J. "Stopftöne beim Horn als strukturelles Ausdrucksmoment: harmonische Dissonanz durch Klangfarbenveränderung [Stopped notes on the horn as an element of structural expression: harmonic dissonance through alteration of tone color]."  Das Orchester 42, no. 2 (1994): 16-24. Said to be based on part of his dissertation, "L'Instrument le plus romantique": Das Naturhorn in der Klassik und Romantik ["The instrument the most romantic": the natural horn in the Classical and Romantic periods] (Bochum, 1991).

Rolf, Marie.  "A New Manuscript Source for Mozart's Rondo in E-flat for Horn, K. 371." Mozart-Jahrbuch 1991, 938-45.  Reprinted in The Horn Call 25, no. 3 (May 1995): 23-27.

Rosenberg, Jesse, trans.  "Il vero modo di diminuir."  Historic Brass Society Journal 1 (1989): 109-14.  An English translation of the treatise of that name by Girolamo dalla Casa detto da Udene (1584).

Ros-Fábregas, Emilio.  "Music and Ceremony during Charles V's Visit to Barcelona."  Early Music 23, no. 3 (August 1995): 374-91.

Rostagno, Antonio.  "Gli ottoni nell'orchestra d'opera italiana del secondo Ottocento [Orchestral brass in Italian opera in the second half of the nineteenth century]."  I fiati 2, no. 7 (August-September 1995): 30-35.

Rybaric, Richard.  "`Con trombe e timpani': Zur Frage der Stilarten der Barockmusik in Mitteleuropa [`With trumpets and timpani': on the question of the genres of Baroque music in middle Europe]."  In Atti del XIV Congresso della Società Internazionale di Musicologia: Trasmissione e recezione delle forme di cultura musicale, III: Free Papers.  Turin: E.D.T., 1990, pp. 191-97.  OCLC 23100882, 24799650, 26476598, or 26724101.

Rycroft, David.  "Flat Trumpet Facts and Figures."   The Galpin Society Journal 42 (August 1989): 134-42.

Rycroft, David.  "Post Horns with Finger-holes: Some Queries." The Galpin Society Journal 43 (1990): 159-61.  See also the companion article by Albert Hiller (q.v.).

Rycroft, David.  "A Tutor for the Post Trumpet."  The Galpin Society Journal 45 (March 1992): 99-106.

Rycroft, David.  "Wind Bands of Henry VII and VIII."  The Galpin Society Journal 44 (March 1991): 159.  A follow-up to David J. Shaw's article "A Five-Piece Wind Band in 1518," in 43 (March 1990): 60-67.

Salmen, Walter.  "Bilddokumente zum Thema `Musik und Tanz um 1500' [Pictorial documents on the theme of music and dance around 1500]." In Walter Salmen, ed.  Musik und Tanz zur Zeit Kaiser Maximilian I.: Bericht über die am 21. und 22. Oktober 1989 in Innsbruck abgehaltene Fachtagung.  Innsbruck: Helbling, 1992, 183-200. ISBN 3900590141.  OCLC 26624900.

Salmen, Walter.  "Musik und Tanz bei Hochzeiten um 1500 [Music and dance at weddings around 1500]."  In Walter Salmen, ed.  Musik und Tanz zur Zeit Kaiser Maximilian I.: Bericht über die am 21. und 22. Oktober 1989 in Innsbruck abgehaltene Fachtagung. Innsbruck: Helbling, 1992, 21-35.

Sanders, Jocelyn Black.  Horn Duos in the Baroque and Classical Periods with an Emphasis on the Chamber Music of Ludwig van Beethoven.  D.M.A. thesis, University of Wisconsin-Madison, 1993.

Saunders, Steven.  "The Hapsburg Court of Ferdinald II and the Messa, Magnificat et Iubilate Deo a sette chori concertati con le trombe (1621) of Giovanni Valentini."  Journal of the American Musicological Society 45, no. 3 (Fall 1991): 359-403. Valentini's pieces for seven choirs and trumpets "are cast on more expansive a scale than any music yet to appear in print, and feature what their composer claimed was `a new way of combining trumpets with voices and instruments.'"

Scharnberg, William.  "A Wagner Tuba Primer."  The Horn Call 23, no. 1 (October 1992): 38-40.

Schlemm, Horst Dietrich, ed.  Posaunen in der Bibel und bei uns vor 1843 [Trombones in the Bible and with us before 1843]. Beiträge zur Geschichte evangelischer Posaunenarbeit, ed. Eduard Lohse with Manfred Glowatzki, Volrad Kluge, and Klaus Winkler, Lieferung 1.  Gütersloh: Gütersloher Verlagshaus Gerd Mohn, 1989.  Contents: Hans Herrmann, "`Mit Drommeten und Posaunen' -- Geistliche Blasmusik vom Alten Testament bis zur Gemeinde heute [`With trumpets and sackbuts' -- Sacred wind music from the Old Testament to the Church of today]" (pp. 9-25); Peter Bachteler, "Die Kirchenmusik in Merklingen seit 1706 bis heute [Church music in Merklingen from 1706 until today]" (pp. 26-42); Ben van den Bosch, "Die Entstehung und Entwicklung der Posaunenarbeit der Brüdergemeinen in Deutschland und in aller Welt [The origin and development of the employment of the trombone by the Moravian Brethren in Germany and throughout the world]" (pp. 43-65); and Klaus Winkler, "Zur Entwicklung der Blasmusik bei den Herrnhutern im 18. Jahrhundert -- Quellenkundliche Studien zu Instrumentarium, Zeremoniell und Repertoire der ersten Posaunenchöre [On the development of the wind music of the Moravian Brethren in the 18th century -- Source studies on the instrumentarium, ceremonial, and repertoire of the first trombone choirs]" (pp. 66-96).

Schmidt, Paul.  "An Interview with Michel Godard."  T.U.B.A. Journal 22, no. 2 (Winter 1995).  Abridged version in Serpent Newsletter, 27 September 1995, 2-4.

Schnabel, Wolfgang.  "Adolf Müller, sein Leben, seine Umwelt und sein Werk [Adolf Müller: his life, times, and work]," in Musikgeographie: weltliche und geistliche Bläsermusik in ihren Beziehungen zueinander und zu ihrer Umwelt: Tagungsband des Symposiums 1990 [Music geography: secular and sacred wind music in their relationships to one another and to their milieu: proceedings of the 1990 symposium], ed. Manfred Büttner, Wolfgang Schnabel, and Klaus Winkler.  Abhandlungen zur Geschichte der Geowissenschaften und Religion / Umwelt-Forschung, 6.  Bochum: Universitätsverlag Dr. N. Brockmeyer, 1991- [OCLC 24411265]

Schnabel, Wolfgang.  "Johannes Kuhlo," in Musikgeographie: weltliche und geistliche Bläsermusik in ihren Beziehungen zueinander und zu ihrer Umwelt: Tagungsband des Symposiums 1990 [Music geography: secular and sacred wind music in their relationships to one another and to their milieu: proceedings of the 1990 symposium], ed. Manfred Büttner, Wolfgang Schnabel, and Klaus Winkler.  Abhandlungen zur Geschichte der Geowissenschaften und Religion / Umwelt-Forschung, 6.  Bochum: Universitätsverlag Dr. N. Brockmeyer, 1991- [OCLC 24411265]

Schneider, Dennis.  The Music for Solo Trumpet and Cornet with Orchestra from ca. 1870 to 1910 in the Edwin A. Fleischer Collection of Orchestral Music.  D.M.A. essay, The University of Nebraska-Lincoln, 1995.  OCLC 32796697.

Schneider, Erich.  "Rezeptionsforschung im Bereich der Blasmusik [Reception research in the field of wind music]."  In Suppan, ed.  Kongressbericht Feldkirch/Vorarlberg 1992, 311-23.

Schulze, Hans-Joachim.  "Johann Sebastian Bach's Orchestra: Some Unanswered Questions."  Early Music 17, no. 1 (February 1989): 3-15.

Schwindt, Nicole.  "Hans Miehlichs bildliche Darstellung der Münchner Hofkapelle von 1570 [Hans Miehlich's pictorial representation of the Munich court ensemble of 1570]."  Acta musicologica 68, no. 1 (January-June 1996): 48-85.

Segerman, Ephraim.  "The Sizes and Pitches of Praetorius's Sackbuts."  FoMRHI Quarterly 73 (October 1993): 50-51.

Sehnal, Jirí.  "Die Trompete vom Barock bis zur Klassik [The trumpet from the Baroque era to the Classic era]."  In Evropski glasbeni klasicizem in njegov odmev na Slovenskem: mednarodni simpozij = Der europäische Musikklassizismus und sein Widerhall in Slowenien: internationale Tagung, ed. Dragotin Cvetko and Danilo Pokorn.  Ljubljana: Slovenska Akademija Znanosti in Umetnosti, 1988, pp. 53-62.  OCLC 20395788 or 23768066.

Sehnal, Jirí.  "Trubaci a hra na prirozenou trompetu na Morave v 17. a 18. století.  I [The natural trumpet and trumpeters in Moravia in the 17th and 18th centuries.  I]." Casopis Moravské Muzea: Vedy spolecenské 73 (1988): 175-207.

Seifert, Herbert.  "Musik und Musiker der Grafen Erdödy in Kroatien im 18. Jahrhundert [Music and musicians of Count Erdödy in Croatia in the eighteenth century]."  Studien zur Musikwissenschaft 44 (1995): 191-208.

Seifert, Herbert.  "Wiener Orchester in Barock und Klassik [Viennese orchestras in the Baroque and Classic eras]."  In Klang und Komponist: Ein Symposion der Wiener Philharmoniker: Congressbericht, ed. Otto Biba and Wolfgang Schuster.  Tutzing: Hans Schneider, 1992, pp. 11-26.  OCLC 28069945.

Selfridge-Field, Eleanor.  "Instrumentation and Genre in Italian Music, 1600-1670."  Early Music 19, no. 1 (February 1991): 61-67.

Selfridge-Field, Eleanor.  Venetian Instrumental Music from Gabrieli to Vivaldi.  3rd, rev. ed.  New York: Dover, 1994.  ISBN 0486281515.  OCLC 30033998.

Seraphinoff, Richard.  "Early Horn Mouthpieces."  Historic Brass Society Journal 1 (1989): 93-100.

"Serpent Discography."  Serpent Newsletter April 1, 1994, 8.

Shaw, David J.  "A Five-Piece Wind Band in 1518."  The Galpin Society Journal 43 (1990): 60-67.

Sheldon, Robert.  "Before the Brass Band: Trumpet Ensemble Works by Küffner and Lossau."  In Cipolla and Hunsberger, ed.  The Wind Ensemble and its Repertoire, 95-110.

Shive, Clyde S., Jr.  "The First Music for Brass Published in America."  Historic Brass Society Journal 5 (1993): 203-12.

Shive, Clyde S., Jr.  "Harmoniemusik and the Early Wind Band in the United States."  In Kongressbericht Abony/Ungarn 1994, ed. Wolfgang Suppan.  Alta Musica, 18.  Tutzing: Hans Schneider, 1996, 405-21.

Shrive, Clyde S., Jr.  "John Friedheim -- Nineteenth- Century Austrian-American Musician."  In Suppan, ed.  Kongressbericht Feldkirch/Vorarlberg 1992, 155-67.

Shrive, Clyde S., Jr.  "William Henry Fry's Music for Band."  Journal of Band Research 29, no. 2 (Spring 1994): 1-13.

Slocum, Kay Brainerd.  "Confr‚rie, Bruderschaft and Guild: The Formation of Musicians' Fraternal Organizations in Thirteenth- and Fourteenth-Century Europe."  Early Music History 14 (1995): 257- 74.  Includes a discussion of trumpeters.

Sluchin, Benny.  "Alto or Tenor Trombone: Open or Closed Case?" Historic Brass Society Journal 5 (1993): 309-17.

Sluchin, Benny.  "Trombone Quartets."  Brass Bulletin 79 (1992): 22-26.

Sluchin, Benny, and René Caussé.  Sourdines des cuivres [Brass mutes].  Recherche, musique et danse, 2.  Paris: Ed. de la Maison des sciences de l'homme, 1991.

Sluchin, B., and R. Lapie.  "Solo Trombone Passages in 19th-Century French Orchestra Music."  ITA Journal 19, no. 1 (Winter 1991): 26-29.

Smiga, Michel.  "Quelques mots sur le lur..." [A few words on the lur].  Larigot: Bulletin de l'Association des Collectionneurs d'Instruments à Vent 9 (December 1990): 24.

Smith, André M.  "Arban in Russia: A Memento in The Library of Congress."  ITG Journal 17, no. 3 (February 1993): 5-11, 34.

Smith, André M.  "Brass in Early Russia: From the Beginnings to the Birth of Victor Ewald, 1860."  ITG Journal 18, no. 2 (December 1993): 4-20.

Smith, André M.  "The Discovery of the X-Rays and the Origin of Mouthpiece Practice for Brass Instruments: A Centennial Review."  ITG Journal 20, no. 2 (December 1995): 4-26.

Smith, André M.  "The Four Brass Quintets of Victor Ewald." ITG Journal 18, no. 4 (May 1994): 33.

Smith, André M.  "The History of the Four Quintets for Brass by Victor Ewald."  ITG Journal 18, no. 4 (May 1994): 5-32.

Smith, André M.  "Pulmonary Emphysema and the Playing of a Wind Instrument: Is There a Correlation?"  TUBA Journal 21, no. 1 (Fall 1993): 46-58.

Smith, André M.  "Respiration for Wind Musicians: From the Bronze Age to the End of the 20th Century."  TUBA Journal 20, no. 4 (Summer 1993): 28-45.

Smith, André M.  "Victor Vladimirovich Ewald (1860-1935), Civil Engineer & Musician."  ITG Journal 18 no. 3 (February 1994): 4-23.

Smith, David Hogan.  Trombone Technique in the Renaissance. San Francisco (1720 19th Avenue, San Francisco, CA 94122): The King's Trumpetts and Shalmes, 1989.

Smith, Nicholas E.  "History of the Horn Mute."  The Horn Call Annual 2 (1990): 77-90.  See also the letter by Barry Tuckwell in 3 (1991): 49-50.  A revision of part of his D.M.A. dissertation, Eastman School of Music, 1980.

Smith, Susan.  "A Cacophony of Cornettists."  Historic Brass Society Newsletter 9 (Summer 1996): 26-32.  Interview with Michael Collver, Bruce Dickey, Stephen Escher, Douglas Kirk, Jean Tubéry, and Jeremy West.

Smithers, Don L.  "Antique Trumpet Mutes: A Retrospective Commentary."  Historic Brass Society Journal 2 (1990): 104-11.  See also the article by Jindrich Keller (q.v.).

Smithers, Don L.  "Bach, Reiche and the Leipzig Collegia Musica." Historic Brass Society Journal 2 (1990): 1-51.

Smithers, Don L.  "Mozart's Orchestral Brass."  Early Music 20, no. 2 (May 1992): 254-65.  See also the letter by Peter Downey in 21, no. 1 (February 1993): 171-72.

Smithers, Don L.  The Music and History of the Baroque Trumpet Before 1721.  2nd ed.  Carbondale and Edwardsville: Southern Illinois University Press; Buren, The Netherlands: Frits Knuf, 1988.  [OCLC 18323228 or 21132781]  First edition supplemented by "Author's Preface to the Second Edition" (pp. 9-13) and "Addenda" (pp. 323-52).

Smithers, Don L.  "A New Look at the Historical, Linguistic and Taxonomic Bases for the Evolution of Lip-blown Instruments from Classical Antiquity until the end of the Middle Ages."  Historic Brass Society Journal 1 (1989): 3-64.

Smithers, Don L.  "Die Verwendung der Blechblasinstrumente bei J.S. Bach unter besonderer Berücksichtigung der Tromba da tirarsi, Kritische Anmerkungen zum gleichnamigen Aufsatz von Thomas G. MacCracken" [The use of brass instruments by J.S. Bach with special consideration of the tromba da tirarsi: critical comments on the article of the same name by Thomas G. MacCracken]. Bach-Jahrbuch 76 (1990): 37-51.  A reply to MacCracken's article in 70 (1984): 59-89.

Snedeker, Jeffrey L.  "The Early Valved Horn and its Proponents in Paris 1826-1840."  The Horn Call Annual 6 (1994): 6-17.

Snedeker, Jeffrey L.  "Joseph Meifred's Méthode pour le cor chromatique ou à pistons (1840)."  Historic Brass Society Journal 4 (1992): 87-105.

Snedeker, Jeffrey.  Joseph Meifred's Méthode pour le cor chromatique ou à pistons and Early Valved Horn Performance and Pedagogy in Nineteenth-Century France.  Ph.D. dissertation, University of Wisconsin-Madison, 1991.  OCLC 27403209.

Snedeker, Jeffrey.  "Resource for Natural Horn."  The Horn Call 24, no. 1 (November 1993): 27-28.  The first in a projected series of columns on the natural horn.  Lists "Historical Tutors," "Suggestions for Music," and "Selected Books and Articles with Relevant Information."

Sommerhalder, Max.  Letter to the editor.  Brass Bulletin 71 (1990): 85-87; with responses by Edward H. Tarr and the editor.  In reply to Tarr's article "Neruda's Concerto for Horn (or Trumpet)," 70 (1990): 36-45.

"The Song of the Serpent or, the Obsession of Michel Godard." Brass Bulletin 67 (1989): 50-54.  Interview.  Le chant du serpent is the title of a new jazz (?) recording by Godard on serpent and tuba.

South, James.  References to Trumpet Music in the Battle Chansons of Clement Janequin.  D.M.A. thesis, North Texas State University, 1990.  [OCLC 22587976 or 23102663]

Spiessens, Godelieve.  "Serpentspel te Antwerpen tijdens de 17de-18de eeuw [Serpent playing in Antwerp during the 17th and 18th centuries]."  Musica Antiqua 5, no. 1 (February 1988): 8-11

Spink, Ian, ed.  The Seventeenth Century.  Music in Britain, 3.  Oxford: Blackwell Reference, 1992.  ISBN 0631165185.  OCLC 27338998.  Includes references to cornetts, sackbuts, and trumpets.

Spitzer, John.  "The Birth of the Orchestra in Rome -- An Iconographic Study."  Early Music 19, no. 1 (February 1991): 9-27.

Spitzer, John.  "Players and Parts in the 18th-Century Orchestra."  Basler Jahrbuch für historische Musikpraxis 17 (1993): 65-88.

Sprung, David R.  "`Hidden' Stopped Notes in 19th-Century French Opera."  The Horn Call 26, no. 3 (May 1996): 17-25.

Steele-Perkins, Crispian.  "Dart's Dated Drums Dropped."  Historic Brass Society Journal 6 (1994): 338-42.

Steele-Perkins, Crispian.  "Practical Observations on Natural, Slide and Flat Trumpets."  The Galpin Society Journal 42 (August 1989): 122-27.

Stein, Louise K.  Songs of Mortals, Dialogues of the Gods: Music and Theatre in Seventeenth-Century Spain.  Oxford: Clarendon Press, 1993.  ISBN 0198162731.  OCLC 27220291.  Includes references to cornetts, sackbuts, and trumpets.

Stevens, Denis.  "Musicians in 18th-Century Venice."  Early Music 20, no. 3 (August 1992): 403-05.

Stewart, Milton L.  "Chamber Music for Voices with French Horn: Performance Problems for French Horn.  Part 1: The French Horn and its Functions in Vocal and Chamber Music before 1800."  Horn Call 18, no. 2 (April 1988): 63-71.

Stradner, Gerhard.  "Zur Ausbildung verschiedener Instrumentengrössen [On the development of various sizes of instruments]."  In Walter Salmen, ed.  Musik und Tanz zur Zeit Kaiser Maximilian I.: Bericht über die am 21. und 22. Oktober 1989 in Innsbruck abgehaltene Fachtagung.  Innsbruck: Helbling, 1992, 177-82.  ISBN 3900590141.  OCLC 26624900.

Sudre, F., & Cie.  See "Nouvelle invention."

Suppan, Armin.  Repertorium der Märsche für Blasorchester, Teil 2 [March repertory for wind orchestras, Part 2].  Tutzing: Hans Schneider, 1990.  OCLC 10099169.

Suppan, Armin.  "Das Wiener Horn und der Wiener Klangstil = The Vienna Horn and the Vienna Sound."  Brass Bulletin 80 (1992): 28-46.

Suppan, Wolfgang.  "Die Harmoniemusik": Das private Repräsentations- und Vergnügungsensemble des mitteleuropäischen Adels -- zwischen Kunst- und gesellschaftlichem Gebrauchswert [Harmonie music: the private display and entertainment ensemble of the middle European nobility: between art and social value]," in Musica Privata: Die Rolle der Musik im privaten Leben; Festschrift zum 65. Geburtstag von Walter Salmen, ed. Monika Fink, Rainer Gstrein and Günter Mössmer.  Innsbruck: Edition Helbling, 1991, pp. 151-65.  [OCLC 25574067]

Suppan, Wolfgang, ed.  Kongressbericht Feldkirch/Vorarlberg 1992.  Alta musica, 16.  Tutzing: Hans Schneider, 1994.  ISBN 3795207932.  OCLC 31715694.  Includes the articles cited by Anzenberger-Ramminger and Anzenberger, Backhaus, Dahlqvist, Eilan, Langov , Schneider, Shrive, and Weymann.

Suppan, Wolfgang.  Das Neue Lexikon des Blasmusikwesens: Biographisches Lexikon [The new lexicon of wind music matters: biographical lexicon].  3. Auflage des Lexikons des Blasmusikwesens.  Freiburg-Tiengen: Blasmusikverlag Schulz, 1988. [OCLC 20966121]

Suppan, Wolfgang.  "Perspektiven einer reichen Blechbläser-Tradition = The Rich Tradition of Brass Playing in Austria."  Brass Bulletin 80 (1992): 6-23.

Suppan, Wolfgang.  "The Use of Wind Instruments (Excluding Chalumeau) in Fux's Music."  In Johann Joseph Fux and the Music of the Austro-Italian Baroque, ed. Harry White.  Aldershot, Hampshire: Scolar Press, 1992, pp. 95-108.  OCLC 25746410.

Swartman, Thomas.  "Horn Transposition in the Works of Mozart: High or Low? Considerations for Performance Practice."  The Horn Call 24, no. 1 (November 1993): 17-20.

Swartman, Thomas.  "Horntransposition bei Mozart -- hoch oder tief? Ueberlegungen zur Aufführungspraxis [Horn transposition in Mozart: high or low? Reflections on performance practice]." Das Orchester 39, no. 9 (1991): 979-83.

Symposion, "Mozarts Hornkonzerte" [Symposium, "Mozart's horn concertos"].  Mozart-Jahrbuch 1987/88: 115-179.  Contents: Franz Giegling, "Ueberlieferungs- und Editionsprobleme [Transmittal and edition problems]" (115-19); Alan Tyson, "Mozart's Horn Concertos: New Datings and the Identification of Handwriting" (121-37); Hans Pizka, "Das hohe Horn bei Mozart -- oder Die Situation des hohen Horns zu Mozarts Zeit [The high horn in Mozart -- or, The position of the high horn in Mozart's time]" (139-46); Thomas Müller, "Zur Stopftechnik in Mozarts Hornkonzerten [On stopping technique in Mozart's horn concertos]" (147-51); Gregor Widholm, "Klangliche Besonderheiten der Hörner zur Zeit Mozarts im Verhältnis zu modernen Hörnern [Sound properties of the horns of Mozart's time in relation to modern horns]" (153-79).  For an English translation of the article by Müller, see under his name.

last updated: 9/1/2007