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Historic Brass Bibliography: J-K (Music Library)

Jambou, Louis.  "Documentos relativos a los músicos de la segunda mitad del siglo XVII de la Capillas Reales y Villa y Corte de madrid, sacados de su Archivio de Protocolos" [Documents relating to the musicians of the second half of the 17th century of the royal chapels and town and court of Madrid, taken from its Archivio de Protocolos].  Revista de musicología 12, no. 2 (July-October 1989): 469-514.

Janetzky, Kurt.  Aus der Werkstatt eines Hornisten: Gesammelte Aufsätze [From the workshop of a hornist: collected writings].  Ed.  Michael Nagy.  Vienna: Vom Pasqualatihaus, 1993.  ISBN 3901254013.  OCLC 33105443.
Contents:
"Zur Geschichte des Horns. Vom Signal bis zum Konzertstück für vier Hörner und Orchester von Robert Schumann [On the history of the horn. From the signal to Robert Schumann's Konzertstück for four horns and orchestra],"
"Das Horn in der Kammermusik [The horn in chamber music],"
"Zur Geschichte des Hornquartetts [On the history of the horn quartet],"
"Über die Problematik der Harmonie-Einrichtungen. Von Haydn's `Ritter Roland' bis zu Weber's `Der Freyschütz' [On the difficulties of Harmonie arrangements. From Haydn's Ritter Roland to Weber's Der Freyschütz],"
"Richard Wagners Verhältnis zu Hörnern und Hornisten. Heutiger Hornisten Verhältnis zu Richard Wagners Hornpartien [Richard Wagner's relationship with horns and hornists. Modern hornists' relationship with Richard Wagner's horn parts],"
"Sin und Unsinn des Transponierens [The sense and nonsense of transposing],"
"Zur Problematik des Hornblasens in der Clarinlage [On the difficulties of playing the horn in the clarino register],"
"Vom steten Wandel der Beziehungen zwischen Hornisten, ihren Instrumenten und ihrer Musik [On constant change in the relations among hornists, their instruments, and their music],"
"Kritische Gedanken über der Hörner und Hornisten. Wege und Umwege im Streben nach künstlerischer Erfüllung [Critical thoughts on horns and hornists. Routes and detours in the striving after artistic accomplishment],"
"Über die Schwierigkeiten von ehedem, heute und demnächst, Hornist zu sein [On the difficulties of being a hornist, yesterday, today, and tomorrow],"
"Die Programmgestaltung von Bläserkammermusik und ihre Realisierung in Konzerten und Aufnahmen. Erinnerungen und Erfahrungen aus der Praxis eines auch kammermusikalisch tätig gewesenen Orchester-Hornisten [Program construction in wind chamber music and its realization in concerts and on recordings. Memories and experiences from the practice of a former orchestra hornist also involved in chamber music]."
Concludes with a complete bibliograpy of his editions and a selected bibliography of his writings.

Janetzky, Kurt, and Bernhard Brüchle.  The Horn. Translated from the German by James Chater.  Portland, Oregon: Amadeus Press; London: Batsford, 1988.  [OCLC 18135215 or 18136803]  Translation of Das Horn: eine Chronik seines Werdens und Wirkens (Bern and Stuttgart: Hallwag, 1977).

Janson, Peter.  "The Eighteenth-Century Chorale Prelude with Solo Wind Instrument."  The Diapason 79, no. 10 (October 1988): 10-13.

Jensen, Niels Martin.  "The Instrumental Music for Small Ensemble of Antonio Bertali: The Sources."  Dansk Årbog for Musikforskning 20 (1992): 25-43.  Includes music for trombone.

Jeurissen, Herman.  "Mozarts allererstes Hornkonzert: Fragen und Hypothesen."  Das Orchester 39, no. 10 (1991): 1104-07. English translation, "Mozart's Very First Horn Concerto." Historic Brass Society Journal 3 (1991): 48-55.  Based on a lecture given at the 1991 Salzburg Mozart Congress.  Proposes that the Allegro KV 370b and the Rondo KV 371 belong to a lost horn concerto of Mozart's.

Jeurissen, Herman.  "Willem Spandau, hoornvirtuoos aan het hof van Willem V [Willem Spandau, horn virtuoso at the court of Willem V]." Mens en melodie 46, no. 4 (April 1991): 218-21.

Jiménez, Miguel Ángel Pallarés.  "Aportación documental para la historia de la música en Aragón en el último tercio del siglo XV. V [Documentary contribution to the history of music in Aragon in the last third of the 15th century: Part 5]."  Nassarre: Revista aragonesa de musicología 9, no. 1 (1993): 227-310.  Mentions several trumpeters.

Jooste, Fanie.  "Die Aufführung abendländischer Kammermusik für Bläser in Kapstadt (1652 bis 1870) [The performance of foreign chamber music for winds in Cape Town (1652-1870)]."  In Bernhard Habla, ed.  Festschrift zum 60. Geburtstag von Wolfgang Suppan.  Tutzing: Hans Schneider, 1993, 311-23.  ISBN 3795207401.  OCLC 28969796.

Jooste, Fanie.  "The Primary Influences on South African Wind Music of the Seventeenth and Eighteenth Centuries."  Journal of Band Research 26, no. 2 (Spring 1991): 54-65.  Includes a list of 24 trumpeters of the Cape of Good Hope garrison.

Jooste, Stephanus.  "The Württemberg Cape Regiment (1787-1791) and its Musicians."  In Kongressbericht Abony/Ungarn 1994, ed. Wolfgang Suppan.  Alta Musica, 18.  Tutzing: Hans Schneider, 1996, 279-91.

Joppig, Gunther.  "Blasinstrumente in der Kirchenmusik [Wind instruments in church music]."  Das Musikinstrument 43, no. 2-3 (February-March 1994): 60-68.  An historical survey through the 18th century.

Joppig, Gunther.  "Spezialisierung im Blechblasinstrumentenbau -- eine alte Tradition [Specialiation in brass instrument making -- an old tradition]."  Das Musikinstrument 42, no. 11 (November 1993): 6-14.

Joppig, Gunther.  "Václav Franticek Cerveny: Leading European Inventor and Manufacturer."  Historic Brass Society Journal 4 (1992): 210-28.  [Translated from the exhibit article listed last time]

Joppig, Gunther.  See 150 Jahre Václav Franticek Cerveny & Synové, above.

Joppig, Gunther, and Ursula Menzel.  "Die Restaurierung einer Silbertrompete [The restoration of a silver trumpet]."  Das Musikinstrument 41, no. 11 (November 1992): 66-72.  Describes the restoration of two silver trumpets in the Munich Stadtmuseum made by the Nuremberg workshop of Haas in the 18th century.

Kampmann, Bruno.  "Catalogue de la collection d'instruments de musique à vent [Catalog of the collection of wind instruments]."  Larigot: Bulletin de l'Association des Collectionneurs d'Instruments à Vent, numéro spécial no. 1 (September 1991).

Kampmann, Bruno.  "Evolution en France des basses à embouchure au debut du XIXe siècle [The evolution of euphoniums in France at the beginning of the 19th century]." Larigot: Bulletin de l'Association des Collectionneurs d'Instruments à Vent 11 (September 1992): 10-15.

Kampman, Bruno.  "Les instruments de l'orchestre Wagnerien [The instruments of the Wagnerian orchestra]."  Larigot: Bulletin de l'Association des Collectionneurs d'Instruments à Vent 13 (July 1993): 7-15.

Kampmann, Bruno.  "Les systèmes de pistons des instruments de musique à vent" [The valve systems of musical wind instruments].  Larigot: Bulletin de l'Association des Collectionneurs d'Instruments à Vent 3 (October 1988): 14-18; 4 (January 1989): 14-19; 5 (May 1989): 13-14; 6 (November 1989): 15-17; 7 (March 1990): 14-21; 8 (September 1990): 25-27.

Kauert, Kurt.  "250 Jahre Blasinstrumentenbau im vogtländisch-westböhmischen Musikwinkel [250 years of wind instrument making in the Vogtland-west Bohemian music corner]."  Das Musikinstrument 44, no. 11 (November 1994): 6-13.

Kaye, Martin.  "Future Cornett: A Personal Exploration." Continuo 12, no. 1 (February 1988): 14-17.  Part IV of a series on the cornetto.  The first three parts were published in 10, no. 3 (December 1986): 6-10; 11, no. 1 (January 1987): 2-6; and 11, nos. 7-8 (Summer 1987): 2-5.

Kearns, Andrew.  "Clarino Horn, Hand Horn, and Virtuosity in the Late-Eighteenth Century Horn Concerto."  The Horn Call Annual 3 (1991): 2-30.

Kehrberg, Robert.  "Trombone Degree-Related Research and Performance: A Listing from Dissertation Abstracts." ITA Journal 17, no. 2 (Spring 1989): 32-36.

Keller, Jindrich.  "Antique Trumpet Mutes."  Historic Brass Society Journal 2 (1990): 97-103.  Translation of an article in Czech that appeared in Casopsis Národního Muzea Historické Muzeum 40, no. 1 (1971).  See also the article on trumpet mutes by Don L. Smithers, cited below.

Kenyon de Pascual, Beryl.  "Clarines and Trompetas: Some Further Observations."  Historic Brass Society Journal 7 (1995): 100-06.

Kenyon de Pascual, Beryl.  "Museo de la Música in Barcelona." Brass Bulletin 70 (1990): 78-84.  Discusses the brass instruments in that museum.

Kenyon de Pascual, Beryl.  "The Onnoven."  The Galpin Society Journal 45 (March 1992): 131-37.  "Onnoven" is the Spanish term for a tenor horn in Eb or F.

Kenyon de Pascual, Beryl.  "The Ophicleide in Spain, With an Appendix on Some 19th-Century Brass Tutors in Spain."  Historic Brass Society Journal 7 (1995): 142-48.

Kenyon de Pascual, Beryl.  "Small is Beautiful: The Trompe de Lorraine."  Historic Brass Society Journal 5 (1993): 280-87.

Kenyon de Pascual, Beryl.  "The Trompe de Lorraine: A Postscript."  Historic Brass Society Journal 6 (1994): 334-37.

Kenyon de Pascual, Beryl.  "Ventes d'instruments à vent à Madrid au 2e moitié du 18e siècle [Sales of wind instruments in Madrid in the second half of the eighteenth century]."  Larigot: Bulletin de l'Association des Collectioneurs d'Instruments à Vent 15 (June 1994): 24- 27.  An abridged version of her article "Ventas de instrumentos musicales en Madrid durante la 2a mitad del siglo XVIII," Revista de musicología 5, no. 2 (1982): 309- 23.

Kersken, Oliver.  "An Interview with Hermann Baumann."  Historic Brass Society Newsletter 6 (Summer 1994): 20-22.

Kinder, Keith.  "Franz Liszt's Music for Chorus and Winds -- The Important Works."  In Kongressbericht Abony/Ungarn 1994, ed. Wolfgang Suppan.  Alta Musica, 18.  Tutzing: Hans Schneider, 1996, 293-310.

Kinzer, Charles E.  "The Band of Music of the First Battalion of Free Men of Color and the Siege of New Orleans, 1814-1815." American Music 10, no. 3 (Fall 1992): 348-69.

Kinzer, Charles E.  "The Excelsior Brass Band of New Orleans, 1879-1889: A Decade in the Development of a Vernacular Archetype."  Journal of Band Research 29, no. 1 (Fall 1993): 14-24.

Kircheis, Michael.  "Discovery of the `Turmsonaten' Written in 1803."  Brass Bulletin 93 (1996): 81- 84.  Concerns the recent discovery of four "tower sonatas" written by Friedrich Schneider at the age of 17.

Kirk, Douglas.  "Cornetti and Performing Pitch of Choirs in Northern Italy and England."  The Early Brass Journal 4 (July 1988): 3-10.

Kirk, Douglas.  "Cornetti and Renaissance Pitch Standards in Italy and Germany."  Journal de musique ancienne 10, no. 4 (Summer 1989): 16-22.  An expanded version of the preceding article.

Kirk, Douglas.  "Instrumental Music in Lerma, c.1608."  Early Music 23, no. 3 (August 1995): 393-408.

Kirk, Douglas.  "A Survey of Modern Cornetto Makers and their Work."  Historic Brass Society Newsletter 1 (Summer 1989): 5-8.

Kirkendale, Warren.  The Court Musicians in Florence during the Principate of the Medici, with a Reconstruction of the Artistic Establishment.  "Historiae musicae cultores" Biblioteca, 61. Florence: Leo S. Olschki, 1993.  ISBN 88 222 4108 8.

Kirnbauer, Martin.  "Die Nürnberger Trompeten- und Posaunenmacher vor 1500 im Spiegel Nürnberger Quellen [The Nuremberg trumpet and sackbut makers before 1500 in the mirror of Nuremberg sources]."  In Walter Salmen, ed.  Musik und Tanz zur Zeit Kaiser Maximilian I.: Bericht über die am 21. und 22. Oktober 1989 in Innsbruck abgehaltene Fachtagung.  Innsbruck: Helbling, 1992, 131-41.  ISBN 3900590141.  OCLC 26624900.

"The Kiss That Brought an Ophicleide to Life."  The British Bandsman 4816 (4 February 1995): 9.

Klein, Linda Marie.  The College Teacher's Guide to the Cornett.  D.M.A. essay, The University of Wisconsin-Madison, 1994.  OCLC 32575692 and 34054630.

Knighton, Tess, and David Fallows, ed.  Companion to Medieval and Renaissance Music.  New York: Schirmer Books, 1992.  OCLC 26547076.  Includes the following relevant chapters: Crawford Young, "On the Trail of Ensemble Music in the Fifteenth Century" (pp. 143-45), Lorenz Welker, "Wind Ensembles in the Renaissance" (146-53), Elizabeth C. Teviotdale, "Music and Pictures in the Middle Ages" (179-88), Iain Fenlon, "Music in Italian Renaissance Painting" (189-209), Lewis Jones, "Surviving Instruments" (223-27), Bernard Thomas, "Divisions in Renaissance Music" (345-53), and Andrew Lawrence-King, "`Perfect' Instruments" (354-64).

Köhler, Wolfgang.  "Die Blasinstrumente aus der Harmonie Universelle des Marin Mersenne und ihre Bedeutung für die Aufführungspraxis heute [The wind instruments from Marin Mersenne's Harmonie universelle and their significance for performance practice today]."  Tibia 13, no. 1 (1988): 1-14.

Köhler, Wolfgang.  "A Portrait of Bruce Dickey."  Musick 16, no. 1 (July 1994): 2- 7.  Translation of "Das Porträt: Bruce Dickey," Tibia 19, no. 1 (1994): 27-31.

Körner, Friedrich.  "A 349 Year Old Horn Made by Michael Nagel of Graz."  Brass Bulletin 93 (1996): 39-43.

Kohlenberg, Randy.  "Update on Trombone Related Research."  ITA Journal 17, no. 4 (Fall 1989): 22-26; 18, no. 1 (Winter 1990): 17-20.

Korbel, Václav.  See 150 Jahre Václav Franticek Cerveny & Synové, above.

Kornder, W.  "Posaunenchöre als Identitätsträger [Trombone choirs as carriers of identity]," in Musikgeographie: weltliche und geistliche Bläsermusik in ihren Beziehungen zueinander und zu ihrer Umwelt: Tagungsband des Symposiums 1990 [Music geography: secular and sacred wind music in their relationships to one another and to their milieu: proceedings of the 1990 symposium], ed. Manfred Büttner, Wolfgang Schnabel, and Klaus Winkler.  Abhandlungen zur Geschichte der Geowissenschaften und Religion / Umwelt-Forschung, 6.  Bochum: Universitätsverlag Dr. N. Brockmeyer, 1991- [OCLC 24411265]

Korrick, Leslie.  "Instrumental Music in the Early 16th-Century Mass: New Evidence."  Early Music 18, no. 3 (August 1990): 359-70.

Kos, Koraljka.  "Osten und Westen in der Feld- und Militärmusik an der türkischen Grenze [East and West in the field and military music on the Turkish frontiers]."  Imago musicae 5 (1988): 109-27.

Koudal, Jens Henrik.  "Musikermobilitet i Ostersoområdet i 1600- og 1700-tallet [The mobility of musicians in the Baltic area in the 17th and 18th centuries]."  Dansk Årbog for Musikforskning 21 (1993): 10-32.  Includes a listing of musicians passing in and out of Copenhagen, 1663-71, among them many trumpeters.

Kreitner, Keith.  "Minstrels in Spanish Churches, 1400-1600." Early Music 20, no. 4 (November 1992): 533-46.

Kreitner, Keith Richard.  Music and Civic Ceremony in Late Fifteenth-Century Barcelona.  Ph.D. dissertation, Duke University, 1990.  [OCLC 21497642]

Kreitner, Keith.  "Music in the Corpus Christi Procession of Fifteenth-Century Barcelona."  Early Music History 14 (1995): 153-204.  Includes a discussion of trumpeters; also a list of instruments in Catalan and Aragonese angel-concert paintings.

Krickeberg, Dieter.  "Überlegungen zur Spezialisierung des Instrumentenbaues seit dem 15. Jahrhundert [Reflections on the specialization of instrument making since the 15th century]."  In Walter Salmen, ed.  Musik und Tanz zur Zeit Kaiser Maximilian I.: Bericht über die am 21. und 22. Oktober 1989 in Innsbruck abgehaltene Fachtagung.  Innsbruck: Helbling, 1992, 143-52. ISBN 3900590141.  OCLC 26624900.

Krickeberg, Dieter, and Klaus Martius.  "Two Trumpet Mutes Recently Acquired by the Germanisches Nationalmuseum, Nuremberg."  Historic Brass Society Journal 6 (1994): 348-54.

Kroesbergen, Willem, and Jed Wentz.  "Sonority in the 18th Century, un poco più forte."  Early Music 22, no. 3 (August 1994): 483-95.  Includes a section on the trumpet.

Krumpfer, Hans-Joachim.  "1796-1908: The Long Sleep of the Haydn Trumpet Concerto...."  Brass Bulletin 75 (1991): 36-39.

Küler, Susanne.  "Contesto storico-stilistico e destinazioni d'uso delle sonate per tromba di Maurizio Cazzati [Historical-stylistic context and practical uses of Maurizio Cazzati's trumpet sonatas]."  Rivista italiana de musicologia 29, no. 1 (1994): 139-56.

Kurtzman, Jeffrey G.  "Monteverdi's `Mass of Thanksgiving' Revisited."  Early Music 22, no. 1 (1994): 63-84.  Includes a discussion of the brass instruments scored for in the work.



last updated: 9/1/2007