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Historic Brass Bibliography: A-B (Music Library)

150 Jahre Václav Franticek Cerveny & Synové: ein Blasinstrumenten-Hersteller in internationalem Format [150 years of V.F. Cerveny & Sons: a wind-instrument manufacturer of international importance].  Prague: V.F. Cerveny, 1991.  Includes Gunther Joppig, "Václav Franticek Cerveny, Erfinder und Hersteller von europäischem Rang" (pp. 5-7) and Václav Korbel, "Das neunzehnte Jahrhundert in Böhmen..." (pp. 57-59).

Acht, Rob van.  Checklist of Technical Drawings of Musical Instruments in Public Collections of the World.  Celle: Hermann Moeck Verlag, 1992.  ISBN 3875490541.  OCLC 29557341.

Ahrens, Christian.  "Dampfsirenen oder Musikinstrumente? Zur Auseinandersetzung um die tiefen Blechblasinstrumente im 19. Jahrhundert" [Steam whistles or musical instruments? Towards the elucidation of low brass instruments in the 19th century].  Das Orchester 38, no. 4 (1990): 362-65.

Albertson, Helen.  Ahlberg & Ohlsson: en Fabrik för Bleckblåsinstrument i Stockholm 1850-1959 [Ahlberg & Ohlsson: a manufacturer of brass instruments in Stockholm, 1850- 1959].  Musikmuseets Skrifter, 17.  Stockholm: Musikmuseet, 1990. [OCLC 23380368]  Her doctoral dissertation (Uppsala Universitet, 1990).

Albukerk, Michael.  "How to Make a Shofar."  Historic Brass Society Newsletter 7 (Fall 1994): 13-14.

Allihn, Ingeborg.  "Wechselbeziehungen zwischen Besetzungsmöglichkeiten, kompositorischem Verhalten und Programmgestaltung ab 1740 im Berliner halböffentlichen und öffentlichen Konzertleben [Correlations among distribution possibilities, compositional conditions, and program construction from 1740 in the semi-public and public concert life of Berlin]."  Basler Jahrbuch für historische Musikpraxis 17 (1993): 161-74.

Alvarez, Rosario.  "Las pinturas con instrumentos musicales del techo de la catedral de Teruel, documento iconográfico coetáneo de los códices de las Cantigas [The paintings with musical instruments on the ceiling of the Teruel cathedral: iconographical document contemporary with the codices of the Cantigas]."  Revista de musicología 11, no. 1 (January-June 1988): 31-64.

Anderer, Joseph.  "A & A-flat Horn in Italian Opera."  The Horn Call 26, no. 1 (November 1995): 55-56.

Anderson, Mark J.  "Soli Deo Gloria: Sacred Music for Brass in the United States, 1850-1920."  Historic Brass Society Newsletter 4 (Summer 1992): 28-33.

Anesa, Marino.  Dizionario della musica italiana per banda: biografie dei composti e catalogo delle opere dal 1800 al 1945 [Encyclopedia of Italian band music: biographies of the composers and catalogue of the works from 1800 to 1945].  [Saronno]: author, 1993.  OCLC 30049322.  May be ordered from the author at via Bossi, 11, I-21047 Saronno (VA), Italy.  Introduction, table of contents, and sections headings in both Italian and English.

Anesa, Marino.  "Non solo Vessella: altre voci nel dibattito sull'organico bandistico italiano fra Ottocento e Novecento.  Terza parte: Gli scritti di Cesare Carini, Domenico Gatti, Dionigi Cortesi e Filippo Brunetto.  La riforma delle musiche militari del 1884 [Not only Vessella: other voices in the debate on Italian band organization in the nineteenth and twentieth centuries.  Part 3: The writings of Cesare Carini, Domenico, Gatti, Dionigi Cortesi, and Filippo Brunetto.  The reform of the military music in 1884]."  I fiati 2, no. 8 (October-November 1995): 42-44.  The first two parts appeared in Consonanza.  Fare musica insieme 42 (1992): 25-31; 43 (1993): 18-21.

Anzenberger, Friedrich.  "Barocke `Zungenschlagmanieren' in der Trompetenliteratur des 19. Jahrhunderts [Baroque tongue stroke techniques in the trumpet literature of the 19th century]." Clarino, September 1992, 13-16.

Anzenberger, Friedrich.  "Die Blechblasinstrumente in der `Sammlung alter Musikinstrumente' des Kunsthistorischen Museums Wien = Brass Instruments from the `Old Musical Instrument Collection' in the Kunsthistorischen Museum of Vienna."  Brass Bulletin 80 (1992): 82-89.

Anzenberger, Friedrich.  "The Earliest French Tutor for Slide Trumpet."  Historic Brass Society Journal 4 (1992): 106- 11.

Anzenberger, Friedrich.  "French Cornet Methods Published before Arban's Complete Grand Method for Cornet and Saxhorn (1864)."  Brass Bulletin 85 (1994): 76-79; 86 (1994): 23-25; 87 (1994): 45-47.

Anzenberger, Friedrich.  "Italienische, deutsche und österreichische Flügelhornschulen im 19. Jahrhundert [Italian, German, and Australian flugelhorn methods in the 19th century]."  Clarino, April 1992, 11-15.

Anzenberger, Friedrich.  "Method Books for Keyed Trumpet in the 19th Century: An Annotated Bibliography."  Historic Brass Society Journal 6 (1994): 1-10.

Anzenberger, Friedrich.  "Method Books for Natural Trumpet in the 19th Century: An Annotated Bibliography."  Historic Brass Society Journal 5 (1993): 1-21.

Anzenberger, Friedrich.  "Method Books for Trumpet and Cornet using Stopped Notes in the 19th Century: An Annotated Bibliography."  Historic Brass Society Journal 7 (1995): 1-11.

Anzenberger, Friederich.  "Naturtrompetenschulen im 19. Jahrhundert [Methods for natural trumpet in the 19th century]."  In Kongressbericht Abony/Ungarn 1994, ed. Wolfgang Suppan.  Alta Musica, 18.  Tutzing: Hans Schneider, 1996, 59-79.

Anzenberger, Friedrich.  "Trompetenschulen im 19. Jahrhundert = Trumpet Methods of the 19th Century."  Brass Bulletin 80 (1992): 65-67.  A brief summary of the author's doctoral dissertation, Ein überblick über die Trompeten- und Kornettschulen in Frankreich, England, Italien, Deutschland und österreich von ca. 1800 bis ca. 1880 [A survey of trumpet and cornet methods in France, England, Italy, Germany, and Austria from ca. 1800 to ca. 1880] (Vienna, 1989).

Anzenberger, Friedrich.  "Welchen Nutzen bringt das Erforschen alter Blechbläserschulen? [What use is research on early brass methods?]"  Clarino, April 1991, 8-10.

Anzenberger-Ramminger, Elisabeth.  "Anton Fridrich, Leben und Werk [Anton Fridrich, life and work]."  In Kongressbericht Abony/Ungarn 1994, ed. Wolfgang Suppan.  Alta Musica, 18.  Tutzing: Hans Schneider, 1996, 9-57.

Anzenberger-Ramminger, Elisabeth.  "Männergesang und Bläser = Men's Chorus and Winds."  Brass Bulletin 80 (1992): 48-49. A brief summary of the author's doctoral dissertation, Der Wiener Männergesang-Verein [The Vienna Men's Choral Society] (Vienna, 1989).

Anzenberger-Ramminger, Elisabeth, and Friedrich Anzenberger.  "Männerchor und Blasmusik im 19. Jahrhundert, dargestellt am Beispiel des Wiener Männergesang- Vereines [Male choir and wind music in the nineteenth century, as represented by the Vienna men's choir society]."  In Wolfang Suppan, ed.  Kongressbericht Feldkirch/Vorarlberg 1992, 185-222.  Alta musica, 16.  Tutzing: Hans Schneider, 1994.  ISBN 3795207932.  OCLC 31715694.

Arfinengo, Carlo.  "The Fresco of the Hall of Barons in the Castle of Manta: Four Musician Knights."  Brass Bulletin 83 (1993): 24-25.

Arfinengo, Carlo.  "The `Neatores' [brass instruments] of the Triumphal Arch of Augustus at Susa."  Brass Bulletin 84 (1993): 68-71.

Ashbee, Andrew, ed.  Records of English Court Music, Volume III (1625-1649).  The editor (214 Malling Road, Snodland, Kent ME6 5EQ, England), 1988.  [OCLC 16090406 or 20800107]  Records of English Court Music, Vol. IV: 1603-1625.  Snodland, Kent: The Editor, 1991.  (Available from Scolar Press, Old Post Road, Brookfield, VT 05036.) Records of English Court Music, Vol. V: 1625-1714.  Aldershot, Hampshire: Scolar Press; Brookfield, VT: Ashgate Publishing, 1991.  [OCLC 16090406]  Records of English Court Music. Vol. VI (1558-1603).  Aldershot, Hampshire: Scolar Press, 1992.  OCLC 26894940 (and in 16090406).  Records of English Court Music. Vol. VII (1485-1558).  Aldershot, Hampshire: Scolar Press; Brookfield, VT: Ashgate Publishing, 1993.  OCLC 29519889 (and in 16090406).  Records of English Court Music. Vol. VIII (1558-1714).  Aldershot, Hampshire: Scolar Press; Brookfield, VT: Ashgate Publishing, 1995.  (In OCLC 16090406.) Transcripts of Court records relating to musicians, including players of the cornetto, sackbut, and trumpet.  The previous volumes were: I (1660-1685), published 1986; II (1685-1714), published 1987; and III (1625-1649), published 1988.  One further volume and a biographical dictionary of English Court musicians are planned.

Aubrey, Elizabeth.  "References to Music in Old Occitan Literature."  Acta Musicologica 61, no. 1 (May-August 1989): 110-49.  Includes some references to brass instruments in troubadour songs.

Auhagen, Wolfgang.  "Die Behandlung der Trompete in den Vokalwerken Johann Sebastian Bachs [The treatment of the trumpet in the vocal works of Johann Sebastian Bach]."  Concerto: Das Magazin für Alte Musik 80 (February 1993): 12-19.

Austern, Linda.  Music in English Children's Drama of the Later Renaissance.  Philadelphia: Gordon & Breach, 1992.  ISBN 2881245587.  OCLC 25746447.  Based on her Music in English Children's Drama, 1597-1613 (Ph.D. dissertation, University of Chicago, 1984).

Babcock, Ronald D.  A Study of Sonata a quattro K. 347 and Alma Redemptoris Mater K. 186 by Johann Joseph Fux: The Historical Significance as Works for Alto Trombone and Performance Considerations, a Lecture Recital together with Three Recitals of Selected Works by J. Albrechtsberger, R. Gregson, W. Hartley, E. Bozza, Lars-Erik Larsson, A. Pryor and Others.  D.M.A. essay, University of North Texas, 1994.  OCLC 31600391.

Bachteler, Peter.  See Schlemm, Horst Dietrich.

Backhaus, Patricia.  "An Adamless Garden of Musical Eves.  A Short History of Helen May Butler: The Female Sousa and her her [sic] American Ladies' Concert Band."  In Wolfgang Suppan, ed.  Kongressbericht Feldkirch/Vorarlberg 1992, 181-84.  Alta musica, 16.  Tutzing: Hans Schneider, 1994.  ISBN 3795207932.  OCLC 31715694.

Backhaus, Patricia.  "Cornet and Performance Practice: Learning from the Golden-Age Masters."  Historic Brass Society Newsletter 7 (Fall 1994): 11-13.

Backhaus, Patricia.  "Portraits of Great American Cornet Soloists." New York Brass Conference for Scholarships: 21st Annual 1993 Brass Conference.  New York: New York Brass Conference for Scholarships, 1993, pp. 29-33.  [Copies obtainable only through donation to the New York Brass Conference for Scholarships, 315 W 53rd Street, New York NY 10019]

Baenfer, Gesine, and Ian Harrison.  "Mit trompen ende met scalmeyen: bezetting en repertoire van de alta capella [With trumpets also and shawms: creating a repertory for the alta cappella]."  Tijdschrift voor oude muziek 9, no. 2 (1994): 7-11.

Bahr, Edward R.  Trombone/Euphonium Discography.  Stephens Point, Wisconsin: Index House, 1988.  [OCLC 18682704]

Baines, Anthony. Gli ottoni [The brass].  Trans. and ed. Renato Meucci.  Torino: EDT, 1991.  A newly revised Italian translation of Brass Instruments: Their History and Development (London: Faber & Faber, 1976; rev. and corr. ed., 1978).

Ballester i Gibert, Jordi.  "Retablos marianos tardomedievales con ángeles músicos procedentes del antiguo Reino de Aragón.  Catálogo" [Late medieval Marian altarpieces with angel musicians originating from the ancient kingdom of Aragon].  Revista de musicología 13, no. 1 (January- June 1990): 123-201.  Includes depictions of players of the trompeta bastarda.

Ballaster i Gibert, Jordi.  "Saint John the Baptist, Salome, and the Feast of Herod: Three Pictorial Subjects Related to Musical Iconography in the Kingdom of Aragon in the 14th and 15th Centuries."  RIdIM/RCI Newsletter 20, no. 1 (Spring 1995): 29-36.

Balthrop, Sharon Kay.  Twenty-six Two- and Three-Voiced Canons by Johann Walter Transcribed for French Horn.  M.A. thesis, North Texas State University, 1988.

Banks, Margaret Downie.  Elkhart's Brass Roots: An Exhibition to Commemorate the 150th Anniversary of C.G. Conn's Birth and the 120th Anniversary of the Conn Company.  Vermillion, SD: The Shrine to Music Museum, University of South Dakota, 1994.  OCLC 30677840.  Exhibition catalog.  Includes "Elkhart's Brass Roots: A Brief History of the Conn Company (1874- 1994)" and "On the Cutting Edge; A Survey of Conn Company Engravers and their Art."

Banks, Margaret D.  "Nineteenth-Century Brass Instruments at the Shrine to Music Museum."  Brass Bulletin 61 (1988): 50- 59.

Barclay, Bob.  "Some Observations on the `Natural' Trumpet." FoMRHI Quarterly 74 (January 1994): 20.

Barclay, Robert.  The Art of the Trumpet-Maker: The Materials, Tools, and Techniques of the Seventeeth [sic] and Eighteenth Centuries in Nuremberg.  Early Music Series, 14.  Oxford: Clarendon Press, 1992.  OCLC 23655185.

Barclay, Robert.  "Ethics in the Conservation and Restoration of Brass Instruments."  Historic Brass Society Journal 1 (1989): 75-81.

Barclay, Robert.  "Reconstruction of a Natural Trumpet by Sterner of Nürnberg."  The Galpin Society Journal 42 (August 1989): 98-104.

Bartels, Uwe.  "Le Cor de Chasse `A la Dampierre'. Object: Reconstruction of the Most Original Baroque Hunting Horn."  Brass Bulletin. 89 (1995): 18-20.

Barton, Peter.  "Callcott's Radius French Horn: Some Further Observations."  The Galpin Society Journal 43 (1990): 153- 59.

Barton, Peter.  "The Woodham-Rodenbostel Slide Trumpet and Others, Employing the `Clock-Spring' Mechanism."  The Galpin Society Journal 42 (August 1989): 112-20.

Bassano, Peter.  "A Second Miracle at Cana: Recent Musical Discoveries in Veronese's Wedding Feast."  Historic Brass Society Journal 6 (1994): 11-23.

"The Battle of Eraclion against Cosroe."  Brass Bulletin 71 (1990): 4-5.  A reproduction of a fresco by Pietro della Francesca (painted 1452-66) that includes a trumpeter.

Bauguess, Barry.  "The Historical Brass Movement."  Brass Ink: The Newsletter of Brass Society, Inc. 1, no. 2 (December 1990): 1-3.  Includes a basic bibliography.

Baumann, Walter.  "Trumpeters and Night Watchmen of Old Zurich."  Brass Bulletin 94 (1996): 16- 19.  Extracted and translated from his Plätze und Brücken der Zürcher Altstadt.  Zurich: Verlag Neue Zürcher Zeitung, 1982.  ISBN 3858230472.  OCLC 13468543.

Becheri, Roberto.  Il corno di posta: da mezzo di segnalazione a strumento sinfonico.  Catalogo della mostra organizzata dall'Istituto di Studi Storici Postali, Prato, Palazzo Pretorio, 18 marzo-2 aprile 1989 [The post horn: from means of signalling to symphonic instrument.  Catalog of the exhibition organized by the Instituto di Studi Storici Postali, Prato, Palazzo Pretorio, 18 March-2 April 1989].  Quaderni di storia postale, 12.  Prato: Istituto du Studi Storici Postali, 1989.  [OCLC 22004625]  Includes cassette of post horn signals and music.

Beck, Hartmut.  "Entstehung und Ausbreitung der Herrenhuter Brüdergemeinde vom 15.-18. Jahrhundert nach dem gegenwärtigen Stand der Forschung mit Bezug auf die kirchliche Blasmusik [The origin and dissemination of the Moravian Brethren from the 15th to the 18th century from the contemporary position of research on church wind music]," in Musikgeographie: weltliche und geistliche Bläsermusik in ihren Beziehungen zueinander und zu ihrer Umwelt: Tagungsband des Symposiums 1990 [Music geography: secular and sacred wind music in their relationships to one another and to their milieu: proceedings of the 1990 symposium], ed. Manfred Büttner, Wolfgang Schnabel, and Klaus Winkler.  Abhandlungen zur Geschichte der Geowissenschaften und Religion / Umwelt-Forschung, 6.  Bochum: Universitätsverlag Dr. N. Brockmeyer, 1991- [OCLC 24411265]

Beisswenger, Kirsten, and Uwe Wolf.  "Tromba, Tromba da tirarsi oder Corno? Zur Clarino stimme der Kantate `Ein ungefärbt Gemüte' BWV 24 [Trumpet, tromba da tirarsi, or horn? On the clarino part of the cantata `Ein ungefärbt Gemüte,' BWV 24]."  Bach-Jahrbuch 79 (1993): 91-101.

Berg, Marita.  "`Universal-Instrument' zwischen Renaissance und Barock: eine historische Betrachtung des Zink [`Universal instrument' between Renaissance and Baroque: a historical examination of the cornett]."  Instrumentenbau-Zeitschrift 48 (November-December 1994): 20-22.

Bevan, Clifford.  "Any More for the Cimbasso?"  T.U.B.A. Journal 23, no. 2 (Winter 1996): 50-53.

Bevan, Clifford.  "The Saxtuba and Organological Vituperation." The Galpin Society Journal 43 (March 1990): 135-46.

Bevan, Clifford, ed.  Musical Instrument Collections in the British Isles.  Winchester, Hampshire: Piccolo Press, 1990. [OCLC 24710070]  A directory.  Mentions brass instruments in no fewer than 56 collections.  Some photographs of brass.

Biber, Walter.  Von der Bläsermusik zum Blasorchester: Geschichte der Militärmusik und Blasmusik in der Schweiz [From wind music to wind orchestra: history of military music and wind music in Switzerland].  Luzern: Maihof, 1995.  ISBN 3952075612.

Bickley, Diana.  "The Trumpet Shall Sound: Some Reasons That Suggest Why Berlioz Altered the Part for Trompette à pistons in his Overture Waverley."  Historic Brass Society Journal 6 (1994): 61-83.

Bignardelli, Maurizio.  "Le composizioni per strumenti a fiato di Simone Mayr e Gaetano Donizetti: un catalogo di opere, in parte inedite in epoca moderna, il cui nucleo più cospicuo si trova nella Biblioteca Civica e nel museo Donizettiano di Bergamo [The wind compositions of Simone Mayr and Gaetano Donizetti: a catalog of works, partly unpublished in modern times, the principal part of which are found in the Biblioteca Civica and the Museo Donizettiano of Bergamo]."  I fiati no. 10 (February-March 1996): 52-55.

Bignardelli, Maurizio.  "La discografia bandistica italiana a 78 giri [78 rpm recordings of Italian band music]."  I fiati 1, no. 0 [sic] (March-April 1994): 20-25.  Included in the inaugural number of a new bimonthly Italian magazine devoted to wind instruments. Covers the period 1899-1939. An article, not a discography (relying on published discographies).

Bignardelli, Maurizio, and Paola Quattrone.  "Italiani in America: esperienze bandistiche dei meridionali negli USA nei primi anni del '900 [Italians in America: the band experiences of southerners in the United States in the early years of the twentieth century]."  I fiati 1, no. 1 (August- September 1994): 36-41.  Includes some late nineteenth- century material.

Bignardelli, Maurizio, and Paola Quattrone.  "La riforma Vesselliana: strumenti emarginati (The Vessella reform: outcast instruments]."  I fiati 1, no. 2 (October-November 1994): 42-44.  Concerns the influence of Alessandro Vessella (1860-1920) on the Italian band movement.

Bird, Gary.  A Musical Comparison of the Serpent and Ophicleide in Selected Compositions of the Nineteenth Century.  D.M. document, Indiana University, 1992.

Blackburn, Bonnie J.  "Music and Festivals at the Court of Leo X: A Venetian View."  Early Music History 11 (1992): 1-37. Discusses a diary describing a visit to Rome in 1518.

Blomhert, Bastiaan.  "The Harmonie Version of Beethoven's Seventh Symphony."  In Kongressbericht Abony/Ungarn 1994, ed. Wolfgang Suppan.  Alta Musica, 18.  Tutzing: Hans Schneider, 1996, 91-102.

Boer, Bertil H. van, Jr.  "Some Observations on Bach's Use of the Horn."  The Horn Call Annual 1 (1989): 59-83.  "Corrigenda" in 2 (1990): 91-96.  See also the letter from Harold Meek in 3 (1991): 49.  A revised version of the article that appeared in Bach: Quarterly Journal of the Riemenschneider Bach Institute 11 (April 1980): 21-28; 12 (July 1980): 9-19.  See also the reply by Thomas G. MacCracken (q.v.).

Böhmer, Karl.  "Bachs mythologisches Geheimnis: Philip Pickett, Reinhard Goebel und das verborgene Programm der Brandenburgischen Konzerte [Bach's mythological mystery: Philip Pickett, Reinhard Goebel, and the secret program of the Brandenburg Concertos]."  Concerto: Das Magazin für alte Musik no. 109 (December 1995/January 1996): 15-17.

Bonta, Stephen.  "The Use of Instruments in the Ensemble Canzona and Sonata in Italy, 1580- 1650."  Recercare 4 (1992): 23-43.

Borders, James M.  European and American Wind and Percussion Instruments: Catalogue of the Stearns Collection of Musical Instruments, University of Michigan.  Ann Arbor: The University of Michigan Press, 1988.  [OCLC 17767321]

Borowicz, Jon T.  "The Mid-Nineteenth-Century Brass Band -- A Rebirth."  Historic Brass Society Journal 2 (1990): 123- 31.

Bosch, Ben van den.  See Schlemm, Horst Dietrich.

Bostley, Edward J.  "The Function of the Horn in the Middle Works of Gustav Mahler."  The Horn Call Annual 4 (1992): 44-68.

Bourgue, Daniel.  "Le cor: de la trompe de chasse à l'instrument d'orchestre [The horn: from hunting horn to orchestral instrument]."  Batteries-fanfares 115 (January 1994): 9-12.  Taken from his book Parlons du cor (see next entry).

Bourgue, Daniel.  Parlons du cor [Let's talk about the horn].  Paris: IMD-Arpèges Diffusion, 1993.

Bowles, Edmund A.  "Blowing a Trumpet" (letter to the editor). Early Music 18, no. 2 (May 1990): 350-51.  In response to the articles by Herbert W. Myers, Keith Polk, and Ross W. Duffin in 17, no. 3 (August 1989): 383-402.  Concerns the role played by medieval technology in fabricating slide trumpets.

Bowles, Edmund A.  "A Brief Overview of Musical Ensembles with Brass Instruments in European Festivals of State."  Historic Brass Society Journal 2 (1990): 78-96.

Bowles, Edmund A.  Musical Ensembles in Festival Books, 1500- 1800: An Iconographical & Documentary Survey.  Ann Arbor: UMI Research Press, 1989.  [OCLC 17506246]

Bradley, Robert.  "Courtly Secular Music-Making at Savoy 1420-1450."  In Musique à la cour de savoie au XVe siècle, ed. Marie-Thérèse Bouquet- Boyer.  Cahier de l'I.R.H.M.E.S., 2.  Geneva: Slatkine, 1994, 31-67.  ISBN 2051012954.  OCLC 31730947.

Brass Anthology, Ninth Edition 1991: A Collection of Brass Articles Published in The Instrumentalist Magazine from 1946 to 1990.  Northfield, Illinois: The Instrumentalist Publishing Company, 1991.  OCLC 23867968.

Brixel, Eugen.  "Mozart and Brass Musicians: W.A. Mozart in his Personal Relations with Trumpet Players, Hornists and Trombonists." Brass Bulletin 73 (1991): 18-24; 74 (1991): 44-47.

Brixel, Eugen.  "Das Signalwesen der Postillione in Österreich-Hungarn [Post horn signals in Austria-Hungary]." Studia Musicologica Academiae Scientiarum Hungaricae 32 (1990): 347-82.

Brixel, Eugen.  "Zur Frage der Blasorchester-Stimmung im k.(u.)k. Militärmusikwesen Österreich-Ungarns [On the question of the wind orchestra disposition in the imperial/royal military musical institutions of Austro-Hungary]."  In Kongressbericht Abony/Ungarn 1994, ed. Wolfgang Suppan.  Alta Musica, 18.  Tutzing: Hans Schneider, 1996, 127-148.

Brodersen, Christopher.  "In Praise of Edward H. Tarr and in Defense of the Trumpet Music of the Later 18th Century." Continuo 18, no. 1 (February 1994): 2-6.

Brown, A. Peter.  "The Trumpet Overture and Sinfonia in Vienna (1715-1822): Rise, Decline and Reformulation."  In Music in Eighteenth-Century Austria, ed. David Wyn Jones.  Cambridge: Cambridge University Press, 1996, pp. 13-69.  ISBN 0521453496.  OCLC 32431013 and 35275987.

Brown, Howard Mayer.  "Catalogus: A Corpus of Trecento Pictures with Musical Subject Matter, Part II/4, Instalment 4."  Imago Musicae 5 (1988): 167-241.  Part of a catalog-in-progress of 14th-century Italian pictures; includes small black-and-white illustrations, bibliography for further reading (and viewing), and index with instruments.  The earlier installments appeared in 1 (1984): 189-243; 2 (1985): 179-281; and 3 (1986): 103-87.

Brownlow, Art.  The Last Trumpet: History of the English Slide Trumpet.  Bucina, Historic Brass Society Series 1.  Stuyvesant, NY: Pendragon Press, 1996.

Brownlow, James Arthur, Jr.  The Last Trumpet: A Survey of the History and Literature of the English Slide Trumpet.  DMA thesis, University of Texas at Austin, 1994.  OCLC 32269605.

Bruenger, David.  The Cadenza: Performance Practice in Alto Trombone Concerti of the Eighteenth Century.  D.M.A. thesis, University of North Texas, 1991.  [OCLC 25329275]

Bruenger, David.  "Designing Classical Cadenzas."  ITA Journal 23, no. 3 (Summer 1995): 30-35; 23, no. 4 (Fall 1995): 42-45.

Buch, Joachim.  "Stadmusik Waldkirch und Harmonie St. Michael Thorn -- Skizzen zur Besetzungsentwicklung zweier mitteleuropäischer Sinfonischer Blasorchester [Stadmusik Waldkirch and Harmonie St. Michael Thorn: sketches of the development of the playing forces in two middle European symphonic wind orchestras]."  In Kongressbericht Abony/Ungarn 1994, ed. Wolfgang Suppan.  Alta Musica, 18.  Tutzing: Hans Schneider, 1996, 149-59.

Bullard, Beth, trans. and ed.  Musica getutscht: A Treatise on Musical Instruments (1511) by Sebastian Virdung.  (Cambridge Musical Texts and Monographs) Cambridge: Cambridge University Press, 1993.  Based on Beth Alice Baehr Bullard, Musical Instruments in the Early Sixteenth Century: A Translation and Historical Study of Sebastian Virdung's Musica getutscht (Basel, 1511) (Ph.D. dissertation, University of Pennsylvania, 1987).

Burden, Michael.  "`For the Lustre of the Subject': Music for the Lord Mayor's Day in the Restoration."  Early Music 23, no. 4 (November 1995): 585-602.

Burgess, Jon Wesley.  An Annotated Bibliography of Trumpet Ensemble Music (for Five or More Trumpets).  A.Mus.D. thesis, Arizona State University, 1988.  [OCLC 20059310 or 20278121]

Burroughs, Mary Alice.  An Annotated Bibliography of the Works for Horn, Voice and Piano from 1830-1850 with an Analysis of Selected Works from 1830-1986.  A.Mus.D. thesis, University of Illinois at Urbana-Champaign, 1990.  [OCLC 22423817]

Burrows, Donald.  "Handel, the Dead March and a Newly Identified Trombone Movement."  Early Music 18, no. 3 (August 1990): 408-16.

Butler, George.  "A Survey of Contemporary Makers of Early Trombone."  Historic Brass Society Newsletter 8 (Summer 1995): 42-50.

Butler, Gregg.  "How to Gette a Sarpente."  Serpent Newsletter April 1, 1994, 6-7.

Büttner, Manfred.  "Bethlehem (USA) und der älteste noch heute existierende `richtige' Posaunenchor [Bethlehem (U.S.A.) and the oldest extant `genuine' trombone choir]," in Musikgeographie: weltliche und geistliche Bläsermusik in ihren Beziehungen zueinander und zu ihrer Umwelt: Tagungsband des Symposiums 1990 [Music geography: secular and sacred wind music in their relationships to one another and to their milieu: proceedings of the 1990 symposium], ed. Manfred Büttner, Wolfgang Schnabel, and Klaus Winkler.  Abhandlungen zur Geschichte der Geowissenschaften und Religion / Umwelt-Forschung, 6.  Bochum: Universitätsverlag Dr. N. Brockmeyer, 1991- [OCLC 24411265]

Büttner, Manfred.  "Die Trompete im Altertum und Mittelalter [The trumpet in antiquity and the Middle Ages]," in Musikgeographie: weltliche und geistliche Bläsermusik in ihren Beziehungen zueinander und zu ihrer Umwelt: Tagungsband des Symposiums 1990 [Music geography: secular and sacred wind music in their relationships to one another and to their milieu: proceedings of the 1990 symposium], ed. Manfred Büttner, Wolfgang Schnabel, and Klaus Winkler.  Abhandlungen zur Geschichte der Geowissenschaften und Religion / Umwelt-Forschung, 6.  Bochum: Universitätsverlag Dr. N. Brockmeyer, 1991- [OCLC 24411265]

Büttner, Manfred.  "Zum Einfluss der geographischen Lage auf die kultische Musik, insbesondere das `Posaunenblasen' [On the influence of geographical locality on festive music, especially trombone playing]" in Musikgeographie: weltliche und geistliche Bläsermusik in ihren Beziehungen zueinander und zu ihrer Umwelt: Tagungsband des Symposiums 1990 [Music geography: secular and sacred wind music in their relationships to one another and to their milieu: proceedings of the 1990 symposium], ed. Manfred Büttner, Wolfgang Schnabel, and Klaus Winkler. Abhandlungen zur Geschichte der Geowissenschaften und Religion / Umwelt-Forschung, 6.  Bochum: Universitätsverlag Dr. N. Brockmeyer, 1991- [OCLC 24411265]

Byler, Charles L.  "`What did George Washington Play on his Horn?'" The Horn Call 22, no. 2 (April 1992): 40-43.

Byrne, Frank.  "Sousa Marches: Principles for Historically Informed Performance."  In Frank J. Cipolla, and Donald Hunsberger, ed.  The Wind Ensemble and its Repertoire: Essays on the Fortieth Anniversary of the Eastman Wind Ensemble, 141-67.  Rochester, NY: University of Rochester Press, 1994.  ISBN 1878822462.  OCLC 30814644.

Byrne, Maurice.  "William Bull, John Stevenson and the Harris Family."  The Galpin Society Journal 45 (March 1992): 67-77. "This article supersedes the entries on Bull and Harris which appeared in my earlier article, `The Goldsmith-Trumpet-Makers of the British Isles,' in GSJ 19 (1966), on pp. 79-81."



last updated: 9/1/2007